Max Sinàl and KingCrowney threw out the line, and Liv East’s voice floated across like a paper lantern on still water, turning “Intentions” into a tune Soul Quest can call home. Now, the whole thing gets turned outwards—remixed, reframed, caught in fresh light, and spun out across the table. It’s the sort of record that doesn’t just play the part; it slips off its shoes and stays a while.
Frits Wentink wastes no movement, retooling the song into something for the deepest end of the club, each chord folding over itself, drawing a slow curl around the kick. JT Donaldson steps up with a pair of flips—one lets the bassline drag its feet through the room, the other ducks the vocal, giving the groove space to stand on its own and stretch.
Flying Moth brings a different sky, skipping the drums and letting Liv East’s vocal swim out to the edges, bending the space. Finally, the live version pulls everything in close—guitar strings, horns, percussion, all swirling around Liv East holding the center, smooth and unhurried.
Every cut in the pack opens a new door in the house—different angles, same address. The record feels built to last, shifting quietly but always keeping the core in focus.